Background of Ngozi Fulani
When Ngozi Fulani was born, her parents relocated to London from Nigeria. The eighth of nine children, she joined a household already brimming with offspring. Ngozi claims they were the only black kids on the block then. Still, it was difficult for them to talk to and play with other kids their age. Nonetheless, they were being encouraged to embrace their unique identities.
Age
We apologize for the delay in providing Ngozi’s true age. We will keep you updated as soon as we learn more.
Wife of a Fulani man, Ngozi
I’m so sorry that her husband and marital problems remain unknown to the public.
Wikipedia entry on Ngozi Fulani
Mom, Mildred, was a powerhouse despite her diminutive stature. Smallness characterized her. She started her career at London Transport before going to nursing school. My father, Gladstone Headley, was a big, strong man who worked for “British Rail” during the day and whose voice was as crunchy as… well, you get the idea. He was a soundman who operated a sound system, and his speaker boxes were enormous. Because we were not allowed in major venues, our life revolved around him going from house to house and playing music at parties. Those of African descent were not permitted in. There will be no exceptions made for any of the following: dogs, African-Americans, or Irish. Even though we were born in the country, we quickly learned that, despite being citizens, we were not welcome at house gatherings.
My father was a thoughtful man who instilled in me a deep appreciation for my African heritage. A guy from Nigeria named Fela Ransom Kuti was the topic of his visit. None of us had any familiarity with African tunes. You name it; we had it—Calypso, Reggae, Soca, Ska, and Skate. My dad, however, provided me with a bridge to Africa via Fela. They didn’t sneak across the ocean in a barrel or anything; they came here because America offered them the world. The British traveled to the Caribbean, made colonists out of willing participants, then subjected them to appalling conditions once they arrived in the New World. This was a shocking development. It was freezing, and many individuals said it was the first time they’d seen snow or experienced temperatures so low.
We called Plympton Road home in Kilburn, where most of our neighbors were of Irish descent. We reciprocated the Irish’s generosity because we shared a common experience of oppression. As a kid, all I knew was that we weren’t welcome in the homes of Asians or whites, but the Irish did. We were too little to realize that the fact that we were black prevented us from entering their homes, but that didn’t stop us from trying. And that’s something that’s avoided in modern discourse. This new rewritten narrative of how well BAME communities have always gotten along is popular because it is completely false. I will not change my past to make it more acceptable to others. I’m telling you now that’s not something I’ll do. Not many people outside of the Irish community embraced us, but we always felt a special bond with the Irish. They had the Green Cross Code and all that stuff back when everyone else instructed their kids to get up, get dressed, and go to school. That was something our parents drilled into us, along with the importance of understanding that there are people in the world who aren’t going to like us. Our parents told us that people don’t like us, so we should keep our heads down when outside. They couldn’t have come out and said it to our faces. In my opinion, they lack the linguistic ability to articulate. So, how do you break the news to your kids? They needed to find a means to convey this information to us.
In my first year of high school, we had a teacher named Miss Limb, who left quite an impression on me. She resembled Lucille Ball and was white and blonde. Her hair was always done up, and she favored feminine, flouncy attire. We were seated on the floor when she called the cashier and began shooing us away, saying, “Get away, Get away.” The general belief in Black society is that one should flee danger first and then figure out why they were in danger. In any case, the other kids and I quickly escaped Miss Limb’s clutches. Then I realized it was myself. I got a little too cozy with her. I was around 11 at the time… That’s right, and I didn’t grasp it. It never occurred to me that it was because of my race. Nope, I didn’t get it.
As a kid, I remember watching shows like “Tarzan and Jane,” in which white men invaded Africa and enslaved all Black people. They had a Golliwog, and we were nicknamed wogs and asked if we had escaped from the marmalade jar, all in the name of Love Thy Neighbor, Nig nogs and all. It turns out that the stories they tell about how things used to be are all made up. We black kids always knew whether our parents informed or left it up to us. I learned about my background and how the rest of the world perceives us thanks to the television show “Roots.” Police brutality against African-Americans has become a spectator sport. The police won’t comment on this. No one over the age of fifty in my extended family has not been directly affected by police brutality, either via themselves or through a sibling or parent. Cops in packs routinely terrorize and brutally assault Black folks in the community. My brothers’ faces swelled up when they got home from school. There was always a disdain for us among the locals, which persists even now.
When African-Americans first began arriving in the United States, there was no welfare system to help them settle in. My parents always defended my siblings and me at school. In those days, it was not uncommon for teachers to wield canes and bats as punishment. They might hit you in the rear end or whip your legs. Men might try to grab your privates or lift your skirt so they can hit you. They might not be caught if they tried. When my identical twin sister, at seventeen, became pregnant, a social worker became involved. Social services are called in for anything they don’t fully grasp. When the social worker visited our home and referred to my nephew as a “sambo,” I realized the system was worse than I had imagined. There were white social workers, teachers, and doctors back in the day. In other words, no Black people were serving as leaders. No one like us was ever portrayed in media when we were kids. In this universe, good things were white, squeaky clean things were white, and evil things were black. When I was a young lady, I wondered why things like this kept happening. Simply put, what is it?
At eighteen, I moved out and into a modest apartment of my own. I uprooted to Hackney at that time. I started college at age 18 to major in Community Studies. To put it simply, the day my life was revolutionized was when I discovered they had an African dance ensemble. A defining moment since it was the beginning of my relationship with the continent of Africa and the people that live there. After only one practice session with them, I was done. Hearing people with thick African accents, learning about the food, and listening to the drumming transported me to a place I had never been before, and it warmed my heart. For me, it was everything, and I’d never felt more liberated than when I was dancing to the beat of those drums. The garments, the beads, the cowrie shells, and the tales were all stunning. A passing interest in Africa became a passion for the continent. It has a name, as we had ours stolen. Black people have been pressured over the years to pretend they are something they are not.
At 23, I began instructing others in the art of African dance. As a teacher, I spent twenty years in Hackney. Thanks to my background in African dance, I successfully led the Emashi Dance ensemble for a long time. I instructed classes in African folk dance and music. We sent a group of teenagers each year to Africa to immerse themselves in the continent’s rich history and culture. While doing all of this, I also found love and started a family. My own children’s trip to Africa was also a major priority of mine. I didn’t want them to form their impressions based on cliches like “starving kids with flies around their lips living in huts.” The speaker was white. Since the story had always come from outsiders who don’t look like us, don’t understand us, and often don’t like us, I wanted to teach them about my culture in a way that made sense to me. In my small way, I’d like to think I’ve helped people from other cultures appreciate us. People often speak for us, so I do my best to communicate directly and honestly. Anyone who knows me well understands that I would never knowingly do something to injure another person, but if the truth hurts someone’s feelings, that’s good with me. Because I strive to set an example by being true to who I am, I was blessed with these locks and this gorgeous chocolate skin. Because some of the obstacles I experienced originated in my community, this is an ongoing process. Truthfully, we need to be seen to communicate that it’s okay to be who you are.
Both my bachelor’s and Master’s degrees in “African Studies” are from the University of London’s SOAS (School of African Studies). When I was getting my Master’s degree (from 1996 to 1999), I felt like I was in a colonial setting. In my English class, there were five people of African descent. There was a lack of genuineness that was, at times, quite disturbing. The majority of department heads were white. To be clear, they treated me well.
Nonetheless, it was not right that middle-class white people were teaching us about our heritage. Colonialism’s emphasis on control and subjugation meant that few persons of color were admitted to elite academic institutions. Indeed, I believe it to be true. Aside from Dr. Adi (who taught Yoruba) and two other Black lecturers, all faculty members were white. The difficulty of the situation and the distance yet ahead of us were immediately apparent to me.
My path has been and still is one of integration and wholeness. The educational system’s propagation of the myth of Christopher Columbus and the fabrication of colonial history served to incite strife amongst individuals of different cultural backgrounds and within the African diaspora. There was a learning curve involved in all of it, and there still is. They permeate every facet of my existence. I hope to serve as an inspiration to both younger and more experienced generations. Because they protect us from harm, I owe them an unpayable debt. The Windrush scandal is symbolic of the ongoing struggle that these people have faced and are facing. In other words, the status quo holds. That’s all; it’s just unique. Intolerance and bigotry are still present at the same high levels of intensity. In other words, I don’t tell the truth.
Mzungu Fulani Sisters’ Hangout
Ngozi and Rosanna are the brains behind Hackney’s @sistahspace. Support and refuge for women and girls of African and Caribbean descent who have experienced sexual or domestic violence.
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